After a family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Betelgeuse, Lydia's life is turned upside down when her teenage daughter, Astrid, accidentally opens the portal to the Afterlife.
"The ghost with the most is back."
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9/5/2024
6 / 10
FULL SPOILER-FREE REVIEW @ https://talkingfilms.net/beetlejuice-beetlejuice-review-a-nostalgic-magical-return-with-ambitious-missteps/
"Beetlejuice Beetlejuice captures the original's magic but stumbles over its narrative ambition.
Tim Burton manages to maintain the visual charm and peculiar atmosphere that captivated so many viewers, with the cast fully embodying both new and classic characters. However, the narrative structure, overloaded with characters and subplots, leads to some disenchantment, and the dance sequences don't quite reach the level of its predecessors.
That said, there's still lots of joy and fun in reuniting with Betelgeuse and the bizarre world he inhabits, as well as enjoying Danny Elfman's unforgettable score. Excellent for watching with the family!"
Rating: B-
Without revealing any spoilers, I want to share my thoughts on the sequel titled Beetlejuice Beetlejuice.
Originally released in 1988, this sequel maintains the same humorous tone as its predecessor. It offers a blend of cheesy charm and new characters that bring fresh energy to the screen.
The nod to Charles Deetz in the film was both clever and funny, seamlessly incorporating the character despite the actor's passing. The filmmakers managed to pay tribute to the original while staying true to the comedic essence established by Tim Burton in 1988.
Michael Keaton reprises his role as Beetlejuice with impeccable comic timing and character evolution. While he may have put on a few pounds, his performance remains as entertaining as ever. Winona Ryder shines in her lead role, transitioning from her role in "Stranger Things" seamlessly.
Jenna Ortega delivers a standout performance, embodying her character with skillful development. Surprisingly, Willem Dafoe's character, whom I initially had reservations about, turned out to be quite comical and well-executed. Bob's appearance in the film is endearing, and his character is sure to win hearts.
Fans will likely be clamoring for Beetlejuice baby toys after watching the film. One minor disappointment was a particular wedding scene that felt overly drawn out and reminiscent of the 1980s era. It could have benefited from some editing to avoid dragging on.
I missed seeing Alec Baldwin and Geena Davis make even a brief cameo in the film, given their absence was noticeable. The digital recreation of the sandworm from 1988 was enjoyable, but the 2024 version lacked the same charm, coming off as cheesy rather than exciting.
The buildup surrounding Dolores, a new character, was intriguing but fell short in the climax, leaving me wishing for a more impactful resolution. Despite this, considering the 35-year gap between the original and the sequel, the film holds up decently.
Overall, Beetlejuice Beetlejuice offered a fun and laughter-filled experience. I recommend watching it in theaters to appreciate its entertainment value. It's a worthy sequel that captures the essence of the original while introducing new elements. So, Beetlejuice, Beetlejuice, Beetlejuice!
Recapturing the sparks of brilliance that made a movie a screen classic is a tall order to fill, to be sure. It can be difficult to work the same magic a second time, especially if the first effort was so eminently memorable. And, when the sequel in which that second sought-after lightning strike takes 36 years to come into being, the chances of realizing that level of success once more can be even slimmer. So it is with this long-awaited follow-up to director Tim Burton’s 1988 classic horror spoof, “Beetlejuice.” It’s an offering that, despite some flashes of inspired lunacy, significantly pales by comparison. To begin with, the film gets off to an incredibly dull start; it took me almost 45 minutes before I even cracked a smile (though I’ll admit the humor comes along at a more sustained pace from this point onward). Then there’s the picture’s convoluted plot, which has several story threads that could have easily been pared back, if not eliminated entirely (never mind the fact that this offering’s predecessor suffered somewhat from the same problem, though not nearly to the same degree as here). And then there’s the sometimes-disjointed narrative, which could have used some tidying up in spots, particularly when it comes to the inclusion of bits that work but that don’t seem to bear any meaningful correlation to one another. To its credit, however, the picture features the same stellar production design that distinguished the original, smatterings of raucous humor that genuinely echo the first film, and fine performances by its three principals – Michael Keaton, Winona Ryder and Catherine O’Hara – who effectively re-create the iconic characters they portrayed previously. However, many of the new cast members brought on board for this installment (Justin Theroux, Willem Dafoe and Monica Bellucci in particular) add little to the production, serving as disappointing reminders of those who are missing this time around (most notably Geena Davis, Alec Baldwin, Sylvia Sidney and Glenn Shadix). In many regards, I honestly must admit that this release’s shortcomings don’t surprise me that much, as they’re typical of so many of the other lackluster attempts that have been made at reviving numerous classic movies and television series (though I was hoping that a filmmaking talent as gifted as Tim Burton might defy those odds with this offering). It’s undeniable that a small dose of heartwarming nostalgia can be a pleasant tonic for those who could stand to have their spirits lifted a bit, but don’t expect some kind of miracle cure from this one – the medicine needs to be stronger to accomplish that, and this remedy simply isn’t up to it.
