Wen die Götter lieben(1992)
Shifting between a suburban hostelry, domestic harmony and the idyllic setting of the Prater funfair, Johannes Holzhausen's documentation is a respectful and sympathetic observation of the long-term relationship between two people leading an unspectacular existence on the edge of society. A retrospective view of an unhappy life from the perspective of happier times.
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OriginAustria
Languagesde
Companiessixpackfilm/Hochschule für Musik und darstellende Kunst, Wien
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