Slightly too long, but pretty much every other element of <em>'Monkey Man'</em> is more than enough to compensate. I had a very good time watching what is Dev Patel's directorial debut. He himself is outstanding, having portrayed the role of the titular character perfectly. I had only seen the guy in two films (<em>'Slumdog Millionaire'</em> & <em>'The Last Airbender'</em>) prior to this, so very much happy to see him act further. An excellent job from him on and off screen, I'm happy that he managed to get this made in the end. As noted, I do think the run time could've been trimmed a little. It's not a major issue of mine, at all, but at a few moments I did feel my interest wane a bit. The story itself is a good one though, one that is entwined with a lot of fight (literally) but a lot of feeling too. Visually, it's a beauty. As for those behind Patel, Pitobash and Vipin Sharma are positives; Ashwini Kalsekar does well too. Most definitely worth a watch, especially on the big screen! I enjoyed myself, all in all.

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FULL SPOILER-FREE REVIEW @ https://talkingfilms.net/monkey-man-review-an-imperfect-yet-compelling-directorial-debut-from-dev-patel/ "Monkey Man shows that Dev Patel still has much to learn when it comes to directing and writing, but his unwavering commitment to a culturally and thematically rich story deserves countless praises. A revenge arc with some pacing issues narrative-wise, but with action sequences loaded with energy and adrenaline, even when chaotically choreographed and shot. Predictably dedicated performance from Patel that avoids some genre formulas while paying homage to some of the classics that inspired him. An imperfect yet compelling debut." Rating: B

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Dev Patel has spoken a lot about him not wanting to be "James Bond" but it looks like those stories have inspired quite a bit of this pretty derivative revenge thriller that actually reminded me a bit of his "Hotel Mumbai" (2018) outing too. We know that he ("Kid") routinely dons a monkey mask for some wrestling and he duly gets a pasting - but that this all has purpose. That purpose starts to come together when he manages to organise a subtle sting operation on "Queenie" (Ashwini Kalsekar) who runs an high-end gentleman's club. His reward here is a job. In the kitchens, bleaching the toilets and washing the pots. A means to an end though as he befriends the drug-pusher "Alphonso" (Pitobash) - who has a nifty, turbo-charged, tuk-tuk, and is soon elevated to the rank of waiter to the corrupt and profligate of city society who frequent the place. Interspersed with his burgeoning career, we begin to see flashbacks of his childhood - and of the brutality that reduced him to his present, vengeful, circumstances. The story is set against a backdrop of political turmoil and with an election looming, he becomes aware that there are wheels within wheels and that his principle antagonist is firmly amongst the secular and religious plotters. He also finds himself being cared for by a sagely monk "Alpha" (Vipin Sharma) who helps him to focus both his mind and his body as we build to a denouement that can be seen from space by anyone who's ever seen a "John Wick" film. Patel is a charismatic man but that's not what's needed here. That's something just a little more original to keep this over-long two hours from becoming just a bit dull and procedural. It's not terrible, but it's not really up to much either.

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