Liberal snooty types lashing out at conservative cronies and their right-wing leanings should have made for some enjoyably edgy satire, but 'The Hunt' is merely a by-the-numbers comedy-horror-suspense thriller that has a few punchy moments. But, if production company Blumhouse wants to remake a bunch of 90s Jean-Claude Van Damme action movies with Betty Gilpin in the lead role, I think I'd be down with that. I'd watch them, not in the theatres obviously, but late at night after a few beers. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-the-hunt-blunt-lazy-and-undeserving-of-controversy

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If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com In case you don't know, I'm from Portugal. Why does this matter? Well, The Hunt was delayed after a massive shooting in the USA, and since the movies' themes are extremely sensitive, the producers decided to postpone the film. At the time, I felt frustrated that, once again, movies have to suffer from real-life situations. Going to the theater is supposed to be an "out of this world" experience. The audience is transported into a fictional place where real-world problems can be forgotten for a couple of hours. So, I never handled these constant controversies surrounding films very well... With that said, I believe The Hunt not only benefited from that delay, but its satirical story has even more impact now. There's no way around this. Craig Zobel's movie is meant to be one of the most divisive films of the last few years. I know it's a pretty basic analogy, but it's just like a dark humor standup show. If you don't have any issues with jokes about topics like racism, stereotypes, immigration, refugees, religion, politics, and every sensitive theme that your mind can imagine, then you'll find The Hunt a brilliant allegory of society's most extreme people. If you do have problems with this type of comedy, then stay away from this movie because Damon Lindelof and Nick Cuse go all out! When I write that every remotely sensitive taboo subject or activity is unrestrainedly addressed, I mean EVERY SINGLE theme. This is a narrative completely packed with extreme, over-the-top cliches and stereotypes of both right and left political sides. At first glance, The Hunters feel like the "bad guys", in the sense that they're hunting innocent people for pure pleasure. Once the audience understands the reasons behind the selection of the people being hunted, one small but tremendously effective thought enters everyone's mind: "you know what... the world would actually be a better place without this kind of people". Suddenly, not a single character is worth caring about. To clarify, I don't mean "caring about" in the common, emotional way. No character is written with the purpose of making the audience worry about it. In fact, almost every character (maybe except Betty Gilpin's) is a despicable human being. Their view of the world is clouded by ideologically outdated mentalities. I love how the screenwriters use each character to represent a particular type of ... extreme personality, let's call it that. One of the best compliments I can give the film is that it didn't pick a side. Everyone gets blasted with jokes. It's a dark yet hilarious satire of today's society with a special focus on the close-minded people that go online to try and spread their conspiracy theories and immoral beliefs. Everything that I just wrote so far resembles the movie's impact on the viewer: either you're okay with this type of screenplay and you'll be incredibly entertained; or you'll get extremely triggered by all this. It's one of those films that will end up on a bunch of "Worst Movies of 2020" lists simply due to its narrative's nature. However, the story isn't the only aspect that can make people give up on watching this movie. The actual hunt is as over-the-top as everything else. There's blood everywhere, ridiculously disgusting deaths, and absolutely no limits whatsoever in killing people in the most insanely entertaining way possible. Action-wise, The Hunt is better filmed than a lot of blockbusters. Beautiful wide shots when something (or someone) explodes, exceptional (and hilariously long) choreography for the "final fight", and excellent editing overall. It's genuinely a well-made, well-produced, and well-filmed movie. The score is also pretty cool. Obviously, it's one of those films that's easy to pinpoint flaws. Every single paragraph that I wrote above can be interpreted as some of the worst aspects of the entire movie, depending on each person's perspective. In my opinion, I think the ending would have benefited from a more serious tone, but at the same time, it would probably clash with the widespread satirical one, so it's an inevitably difficult ending to completely get right. The cast is a bit hit-and-miss when it comes to each actor's performance (some are very bland), but Betty Gilpin delivers an outstanding display and seamlessly carries the whole film. Finally, there's a small part of the movie that involves military characters who don't belong to either side of The Hunt, and that portion didn't really work for me. All in all, The Hunt is a brilliantly dark satire on today's political views of the world. It's meant to be one of the most divisive films of the last few years, and it undoubtedly succeeds in its mission. Just like dark humor, either you're okay with it, or you're not. If you can't take a joke about the most extremely sensitive taboo themes (and I mean ALL of them), then stay away from this movie or you'll be triggered for a whole week. However, if you can see the fun side of this type of comedy, The Hunt is the most entertaining, witty, hilarious, bloody, over-the-top action thriller you'll see for a long time. Damon Lindelof and Nick Cuse go all out, and they don't forget to approach a single topic. It's a well-made film all-around: well-written, well-produced, and well-filmed. A few minor issues regarding its ending and a small subplot don't diminish Craig Zobel's exceptionally captivating concept and Betty Gilpin's compelling performance. I definitely recommend it depending on how much you enjoy dark humor. PS: everyone knows the tale about the rabbit and the turtle, right? How the rabbit races the turtle, and all that? Well, The Hunt's version of that story just became my all-time favorite. Rating: A-

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> Review From **_Horror Focus_** Gaining its momentum back in mid 2019, The Hunt stirred up quite a bit of controversy prior to its initial release, branding it too brutal for release due to the mass shootings in Ohio, Texas last summer. This Blumhouse picture was later rescheduled, and was at one point never to see the light of day, which would have been a crushing blow knowing how relevant this actually turned out to be. Luckily for us, Blumhouse soon caught on and realised movies like The Hunt are exactly what our cruel audience’s need right now, something with a sharp satirical bite with a gut-punching narrative reflective of modern society. Welcome to my favourite horror movie of the past few years. Imagine a Twitter thread was made into a movie, this is The Hunt. What we have here is a film that functions on the confliction that exists in the real-world between liberals and conservatives, as they take chunks out of each other when discussing politics online, spilling blood on each side as opinions and views are torn to shit by the opposing party. What is depicted is literal death and carnage, which is representative of how the different identities and political views that are one person's beliefs, but another’s infuriating joke. Image result for the hunt 2020 film The beauty here (which is addressed as a massive concern to most reviewers) is the lack of depth to these characters within The Hunt, and to their lifestyle choices and political standpoints. What works best is that it never takes a stance when mocking both sides of the political spectrum, and allows us as an audience to identify which whatever our political views lead us to, even if one side is draped in murderous overtones. I admire how we are left to decide where we would stand, and if what is happening is something we can sympathise with. To most, what I’m saying sounds ridiculous, but this lack of depth to these characters is very much reflective on the current state of our social media, having people who we know nothing about spreading their views which are toxic to half and relatable to others. It’s that online façade that is at play here, as we witness comments and statements daily that tear down others, ruin people’s professional statuses or simply to spread offensive and insensitive comments online to troll others. This is the world we live in, and the characters in The Hunt exist within our real world. The characters within this may not be fleshed out, but to the online profiles with nothing but a name, a picture and a flurry of controversial tweets neither are they, and that certainly looks like modern day humanity to me. Much of The Hunt’s satirical sting comes from its reliance on our current climate and political correctness, which leans on its accurate depiction of society to get its laughs in when it can. It’s understandable that this particular sense of humour might to a little too one-note for some, but it firmly has its own tongue planted in its cheek when openly mocking our current way of thinking, juxtaposing these characters with opposing mind-sets to create a genuinely clever and on-the-nose depiction on humanity’s contemporary views. Aside from the intelligent links to modern society, it’s also really enjoyable and highly entertaining when utilised to its full potential. One could be offended by some of the humour here, but when the film itself jokes on our own generation of snowflakes, it begs the question if The Hunt is pointing the finger at you, and calling you out for being said snowflake. It all really works for me on a sharply pungent level, one that had me tickled pink until the final credits. The Hunt ultimately holds up a darkly comedic mirror up to the political divisions in a way that hasn’t been explored to this stature. Image result for the hunt 2020 The action here is outstanding, with the violence being the appropriate level of over the top to match its exuberant premise. Betty Giplin is undeniably outstanding as she delivers a powerhouse of a performance in her portrayal of Crystal, a tough as nails heroine who easily establishes herself in the ranks next to such genre greats as Erin from You’re Next and Alien’s Ripley. Her level of badass is contagiously ferocious, making every scene she’s in an absolute blast to witness. Each fight scene is crafted brilliantly, looking seamlessly effortless with its high-energy intensity, most notably when we reach our final act in which our Million Dollar Baby Hillary Swank comes head-to-head with Giplin, which can only be described as one of the most entertaining fight scenes in recent horror memory. Nothing is ever fully dripping in suspense, but you soon realise it doesn’t need to be when you’re watching enigmatic fight scenes that are as vicious as they are diverting. The film also works its best when it plays at its most unexpected, knocking familiar faces off like Drew Barrymore in Scream level of unexpected in ways so gleefully gory it will have you laughing with sheer shock. The Hunt may split audiences right down the middle, but there is one thing that is universal, and that’s that Betty Giplin’s Crystal is already this decades best Final Girl. VERDICT Proving to be one of the strongest contemporary social and political horror movies in recent memory, The Hunt is a lean, mean, fighting machine that is as sharply satirical as it is viciously violent. Make room for Betty Giplin, our new final girl is in town. ★★★★★

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