For what we are about to see next, we must enter quietly into the realm of genius. Young Frankenstein is directed by Mel Brooks who also co-writes the screenplay with Gene Wilder. It stars Wilder, Marty Feldman, Peter Boyle, Teri Garr and Madeline Kahn. Music is by John Morris and cinematography by Gerald Hirschfeld. Filmed in black and white, Brook's movie is an affectionate spoof of the Frankenstein movies that came out of Universal Studios back in the 1930s. There wolf, there castle. You are either a Mel Brooks fan or not, there doesn't seem to be any middle ground. However, even his most ardent fans admit not all of his productions have paid dividends, but when on song, as he was in 1974 (Blazing Saddles also released), it's justifiable that those fans proclaim him as a spoof maestro. Ineviatbly a bit tame when viewed today, Young Frankenstein is still a picture of high comedy and clinical execution of the film making craft. Everything works, from acting performances, the gags that are both visual and aural delights, to the set design of the Frankenstein castle. It also boasts a smooth storyline, this is not a hodge-podge of ideas lifted from those Universal monster classics, it has a spin on the story and inserts its own memorable scenes along the way (Puttin' on the Ritzzzzzzzz, Oh my!). Of its time for sure, but still great entertainment for the Mel Brooks fan. 8/10

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When I had the opportunity Ro watch this film again after decades, due to a Cloris Leachman tribute, I couldn’t resist, despite feeling there was a risk of a familiar problem: that of me not liking a program or movie as a mature adult as much as I had as a young man. I needn’t have worried. This is not Mensa material here, but it is a good example of what Mel Brooks did best, spoof movie genres or other cinematic cliches. Everyone seems to have great fun making this movie, and it shows. Some of the bits have become catch phrases: the horse neighing when a certain name is mentioned, the hilarious sight gag of the secret door (“Put the candle back!), and other classic lines. This doesn’t make any of my Favorites list, but it was well worth revisiting it for the laughs and a glimpse at what my younger self thought was funny, and older self agrees with him.

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I'd probably best start by saying that I love the writing of Mel Brooks, but I detest the acting style of Gene Wilder - so my views on this are somewhat mixed. It is a spoof - and James Whale ought to be writ large in the credits, as should Glenn Miller and a host of others who have inadvertently contributed to the wonderfully paced script that rarely draws breath. Wilder - the grandson of the eponymous, famously mad scientist - decides to visit Transylvania where he stumbles upon a formula that might just bring the dead back to life. In my view, the acting plaudits go to Marty Feldman, who is great as henchman "Igor" trying desperately to foil the over-the-top antics of the star - who just seems to play each role he takes on in the same, super-hammy, fashion with big eyes and loud, grand gestures that I find most unfunny. Coupled with Brooks, they are, however, on cracking writing form and as parodies go this sets up the whole genre - sometimes overtly and sometimes subtly, but regardless - when you listen to the dialogue you can't help but laugh. For me, it could have done with a less annoying star - but the writing has stood the test of time well and is still very much worth a watch.

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