I was never the greatest fan of Richard Gere, but this is certainly one of his better performances. He is cocky lawyer "Vail", adept at ensuring his criminal fraternity clients evade justice. When the shocking news that an archbishop has been savagely murdered is announced, he decides on a bit of pro-bono work to defend the young "Aaron" (Ed Norton) against the prosecuting skills of his ex-girlfriend "Janet" (Laura Linney). As the courtroom drama unfolds, though, we soon establish that there are undertones that call into question not just who did what to whom, but also the integrity of the victim and of many of his well-connected associates. The film belongs to Norton, though. As his character develops, with the assistance of probing psychologist "Molly" (Frances McDormand), we discover that there are quirks to his character that this actor delivers superbly. So much falls into place in the last ten minutes, or so, before a denouement that is both unexpected and perversely quite fitting. It is a bit too long, and takes maybe half an hour before it starts to simmer; but once the plot starts to advance in earnest, this becomes a superior crime thriller with twists, turns and strong performances throughout.

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Primal Fear is a masterclass in tension, turning a courtroom drama into a high-stakes thriller under Gregory Hoblit’s sharp direction. Then there’s Edward Norton, in his very first role, who makes such an impression it’s no surprise he went on to win over 15 awards including a Golden Globe for Best Supporting Actor. Playing Aaron, a timid altar boy with hidden depths. Richard Gere holds his own as the slick defense lawyer, Norton’s layered acting and the intense chemistry between them make this movie unforgettable. Primal Fear goes beyond a typical courtroom drama, serving up suspense, stellar performances, and production.

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